publishing as a team

The publishing model Jill and I are developing – under which the final book will be published referencing both our names as author and editor respectively – generates a new and different framework for receiving critique, I find. The normal critiquing process (informal one-on-one, workshops, etc) requires you of course to carefully consider suggestions received from those critiquers you respect. At the end of the day, however, you decide what to accept and what to reject on the basis of a single optic: this work has your name on it, and therefore you alone speak for the contents.

In the case of the Essbaum-Sebastian Nanopress, however, there can’t be a single optic. There will be two names cited, so there has to be a double optic. In Jill’s comments on my manuscript, she refers to the importance of “your Nic-ness”, and I love that. While recognizing that the relative roles of poet and editor are very different (and of course always deeply vested in ensuring the integrity of my “Nic-ness”) I still must be aware of and careful of her “Jill-ness” in this project. She has to be as comfortable with her name cited as editor as I will be mine as author.

(Click here for the full nanopress story.)

Published by

Nic Sebastian

Nic is the author of Forever Will End On Thursday and Dark And Like A Web. She founded the now-archived Whale Sound site and is co-founder of The Poetry Storehouse. Nic blogs at Very Like A Whale and Voice Alpha.

2 thoughts on “publishing as a team”

  1. This is an interesting concept and hooray for you both! A friend and I have been co-authoring a series of short women’s fiction and as yet haven’t found an agent/publisher. The collaboration has been very production, though. We struggled about whether we should go with one name as a pen name or openly acknowledge that we both wrote it. We decided on the latter. I feel happier about that decision (any agent, of course, would know the truth).

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